Check out this week’s podcast as we give our thoughts and opinions on Thor Ragnarok. We’ve all seen it, and if you haven’t, there are spoilers obviously in this discussion, but truthfully nothing major. Listen to our discussion and let us know what you thought.
Some Other Works: Cinderella (2015), Thor (2011), Jack Ryan: Shadow Recruit (2014), Much Ado About Nothing (1993)
Screenwriter: Michael Green
Some Other Works: BladeRunner 2049 (2017), American Gods (TV series 2017-), Logan (2017), Alien: Covenant (2017)
Cast: Kenneth Branagh, Johnny Depp, Michelle Pfeiffer, Willem Defoe, Penelope Cruz, Daisy Ridley, Josh Gad, Leslie Odom Jr, Judi Dench, and even fucking more than that geez.
Synopsis: A lavish train ride unfolds into a stylish & suspenseful mystery. From the novel by Agatha Christie, Murder on the Orient Express tells of thirteen stranded strangers & one man’s race to solve the puzzle before the murderer strikes again.
This was the first film directed by Kenneth Branagh in a long time that I thoroughly enjoyed. Usually, I find a certain gravitas to be lacking in his more expensive films, but his mix of humor and melodrama is well suited to tell this story.
First of all, Kenneth Branagh isn’t David Suchet, and that’s okay everyone. Like seriously, it’ll be alright. You fucking nerds.
Branagh excels at telling character driven, monologue heavy, stories suited or adapted from, in most cases, the stage. I was very surprised to find that this film had a lot of negative reviews. Most of them saying something like “why did he remake this? The other poirots are dope. Everyone knows the story hur dur.”
Let me say this, if you already know the ending to Agatha Christie’s tale, just chill the fuck out. A lot of people know it. If you loved this story in another form, that’s cool. This isn’t it though. That’s fucking okay. Nobody has taken it from you. It’s still wherever you left it last, kiddo. I really love a quote Kenneth Branagh makes in regards to some of the small changes he made in the adaptation.
“In a world where you know people are responsive to murder mysteries, you have to start differently, and do different things with the plot. And as soon as that happens, people start wondering what else could be different,” he says. Then he adds, laughing, “And I think a lot of people fib about saying they know what’s going on anyway.”
Branagh directs as thought the audience were at a play. The impressive cast adds to this element, which may cause some to assume they’ll be getting a lot of juicy arguments and interconnected dialogue. This isn’t the case. The audience stays close to Poirot the entire film, and he spends plenty of time investigating. So, the supporting cast has fewer lines, but they all get an opportunity to tell their story. I think some may see this as a con, but for the purpose of the story, the casting of people who seem to only look very interesting is intentional.
Murder on the Orient Express is a character drama. Some have found it uncompelling, I can’t agree. The moral guidelines Poirot stands by at the beginning of the film become quandaries by the end. The parallels are there, and well done if not slightly ham-fisted by movie standards. I’d argue, not by stage ones. The movie really just… works.
The reveal to the mystery is slow, and revelatory. It takes the time to set up an emotional climax. This is where the all-star cast really shines. The reveal scene has a build up where all of the suspects sit on one side of long table, as he stands on the other side, prepared to give out his judgement. It’s a gorgeous shot, meant to mimic the last supper.
It’s here I’d like to remind fellow film goers that in films which have a mystery, it’s not always about how good the twist gets you, but rather how well it’s drawn out when you already know the answer. This film isn’t a one shot “twist”. It’s a true mystery, and we have Agatha Christie to thank for that.
It isn’t a brilliant film by any means, but I’d argue it’s a respectable one.
Betty Windsor is a film snob and co-host of shows Geek Versus Week. She does not normally say FUCK this much in a film review.
The email said “Marvel Studios – Open House Invitation.” What that meant, I didn’t know. But it’s Marvel, so I went, and I’m glad I did, because I got to see concept art, footage, and/or more from every known movie on their schedule, up through Captain Marvel. Yes, Infinity War, too.
Before a (still-embargoed) screening of Guardians of the Galaxy Vol. 2, io9 was among several outlets who were lead on a tour of Marvel Studios’ new offices on the Disney lot in Burbank. Along the way, we got peeks and glimpses at this year’s Spider-Man Homecoming and Thor: Ragnarok, next year’s Black Panther, Avengers: Infinity War, and Ant-Man and the Wasp, as well as Captain Marvel, currently without a director and scheduled for March 2019. Here’s what we saw.
After Guardians, this is the next film coming out from Marvel, and we were treated to concept art courtesy of the visual development team, as well as a screening of updated effects shots, just like Marvel execs might watch on a daily basis to check on the film’s progression.
Since we already know so much about this film, there wasn’t much in the way of exciting news, but we did see some very dynamic action shots that featured Peter being thrown through a bus the long way, getting punched out of the frame, and riding a jet it engine. The most revealing shot, however, was of Logan Marshall-Green’s character, the Shocker, shooting a highly advanced gun, then handing it to Donald Glover’s character. No one would say who Glover was playing but, it seems he is certainly one of the bad guys on the Vulture’s team.
The biggest news on the tour came from this film, which is out in November. We were ushered into an editing suite at Marvel, which is basically just a small movie theater with a bunch of computers and monitors in the back, and greeted by director Taika Waititi. He’s still editing the film but wanted to show us a brand new character that has yet to be revealed—one he plays himself.
It’s Korg, a stone alien of the Kronan race, who is trapped in the gladiatorial games just like Thor. He’s almost eight feet tall so Waititi played him in performance capture. The scene we saw was Thor being thrown into a strange cell with Korg and Miek, his sidekick with knife hands. Korg starts to tell Thor about how things work here, that’s he’s the leader, and no one has survived a battle with the grand champion, i.e. the Hulk. Using Waititi’s deep New Zealand accent to its fullest, the scene is laugh-out-loud hilarious as Thor tries to make sense of this weird rock creature. He even tries to run away, only to realize the cell is an infinite loop which can’t be escaped.
Concept art and effects tests for Korg and Miek were impressive, as each character brings something truly weird to the world of Ragnarok.
Out of every film on the tour, this was the one that was most well-represented. According to Marvel producer Jeremy Latcham, the film finishes filming on April 19 at which point director Ryan Coogler will begin editing the film.
We saw a sizzle reel explaining the world of T’Challa (Chadwick Boseman). It included some truly spectacular concept art and images that go by so fast, it’s hard to detail them all, but what did stand out was the bustling technology of Wakanda: Black jet planes and huge buildings that look modern, but also have a very African feel. There was a shot of what appeared to be two Black Panthers fighting in some kind of underground area. And just beautifully vibrant costumes on everyone, but especially the Dora Milaje. There was a scene in which T’Challa appeared to be fighting someone on a rhino, and also a black arm gauntlet that looks like a panther with the mouth opening at the fist.
Then, we saw dailies from Black Panther. There was a scene of Lupita Nyong’o’s character (who wasn’t named but referred to as a member of a border tribe) silently killing a bunch of soldiers. That was followed by the Dora Milaje, the royal bodyguards, on a boat surrounded by blue screen, on the way to the king’s coronation; their costumes were beaded, red and gorgeous. Then the border tribe returned, dressed in all greens, going to the same event on a similar boat, where everyone is dancing in unison.
We then saw what was likely part of that coronation. It took place at Warrior Falls and featured T’Challa walking down a ramp in front of a cliff lined with all kinds of people, where Forest Whitaker’s character introduced him to the crowd. Boseman didn’t have a shirt on so you could see a huge tattoo going around his back and onto his chest.
The footage shifted then to a casino in Korea where Klaw (Andy Serkis) enters with eight men and talks to Everett Ross (Martin Freeman). Ross noted that Klaw’s entourage is so big, he must have a mix-tape coming out, to which Klaw replies, “I do, get him the link.” There will be a big shoot out in this casino featuring both those characters, as well as T’Challa.
Avengers: Infinity War
With Infinity War still in production, there wasn’t much in the way of news about this film. But in artist Ryan Meinerding’s office, he had a huge TV with a vertical image of Thanos on it. This Thanos isn’t like the ones we’d seen in the other movies. though—he didn’t have his helmet on, and he was wearing kind of a skin tight jumpsuit, as well a big bright glove with a lot of jewels on it (we all know what that is). Basically, he just looked intimidating and confident, which isn’t a good thing for the Avengers.
Ant-Man and the Wasp
Hanging out in artist Andy Park’s office was not just a bunch of concept art from this upcoming film, but director Peyton Reed himself. We saw a new, updated, slicker and tighter Ant-Man suit, which Reed explained has been advanced significantly because the original one was a relic. There were images not just of the Janet Van Dyne Wasp suit, but two newly updated ones. too. One looked like the suit at the end of the first film, while the other had
Other images showed a huge hanger with Giant Man standing in the middle of it, and then a dog’s mouth, which seemed to have the main characters in it. Reed said he was going to Atlanta soon to start filming the 2018 release.
How can there be elements for Captain Marvel when there isn’t even a director yet? Well, it was explained that once Marvel decides they are going to make a movie, the visual development department goes into high gear, designing costumes and scenarios they’d like to see in the movie. Now, this stuff doesn’t always end up on-screen, but it’s meant to serve as inspiration for filmmakers once they come on board.
For Captain Marvel, there were three pieces of art shown on the tour. Two were simply of Brie Larson as the character in an updated costume. This might not be the costume once the film hits but it looked similar to the one in the comics, just with a darker blue base and more lines going up and down it. The third image was of the character punching the fist of some kind of giant robot in an action scene. It had a very Hulk vs. Hulkbuster feel to it.
What are you most excited for from Marvel? Let us know in the comments.
Also, we’re back from 221B Con (you know, where we interviewed Curtis Armstrong) and we have a few stories to tell. A small movie called Star Wars The Last Jedi released a new teaser. Also in this episode we chat about Overwatch, Josh Brolin, Dumbledore, the new Thor trailer, Mystery Science Theatre 3000, a new Watchmen movie, and Naruto.